This Month's Featured Posts

Choral

It is Well ~ Nimrod

This piece was commissioned in memoriam by the family of Homero Capetillo, a wonderful gentleman and founding teacher in a Spanish-immersion school for 30 years. After considering several of his musical “favorites” I decided to weave Edward Elgar’s beloved “Nimrod” with Horatio Spafford’s treasured hymn, “It is Well with My Soul.” Spafford’s deep faith in the face of multiple personal losses inspired his poem of calm assurance, set to music by the hymnist Philip Bliss in 1875.

Twenty-five years later, Edward Elgar wrote 14 variations on his “Enigma” theme, each one immortalizing a dear friend. “Nimrod” refers to the music editor Augustus J. Jaeger, whose name means “hunter” in German. Elgar playfully chose the biblical name “Nimrod, a mighty hunter before the Lord” for this friend’s variation. This sumptuous adagio movement commemorates an occasion when Elgar had been very depressed and was about to give it all up and write no more music. Jaeger visited him and encouraged him to continue composing. He referred to Ludwig van Beethoven, who had a lot of worries, but wrote more and more beautiful music. “And that is what you must do,” Jaeger said, and he sang the theme of the second movement of Beethoven’s Piano Sonata No. 8 Pathétique. Elgar disclosed that the opening bars of “Nimrod” were made to suggest that theme, saying, “Can’t you hear it at the beginning? Only a hint, not a quotation.”

I found great pleasure in creating this lilting variation of a variation, born of layers of inspiration and encouragement, all in the service of the expression of a deep faith and appreciation for beauty shared by Homero Capetillo.

When peace like a river attendeth my way,
When sorrows like sea billows roll,
Whatever my lot, Thou hast taught me to say
It is well, it is well with my soul.
Esta bien con mi alma.

Though Satan should buffet, though trials should come,
Let this blest assurance control:
That Christ hath regarded my helpless estate,
And hath shed his own blood for my soul!
It is well, it is well with my soul.
Esta bien con mi alma.

And Lord, haste the day when the faith shall be sight,
The clouds be rolled back as a scroll;
The trumpet shall sound, and the Lord shall descend,
Even so, it is well with my soul.
It is well, it is well with my soul.
Esta bien con mi alma.

Choral

All Through the Night, The Lord’s My Shepherd

Commissioned by Seattle Children’s Chorus for their 20th Anniversary Concert in Seattle’s Benaroya Hall, this tender, reassuring medley of All through the Night and The Lord’s My Shepherd (Crimond) is arranged for unison and SA choirs.

First the older children bear the role of the comforting older sibling, and then the younger choir expresses their simple faith in the Shepherd’s care. The piece concludes with a “choral duet,” all enveloped in a gentle piano accompaniment.

Sleep, my child, and peace attend thee
all through the night.
Guardian angels God will send thee
all through the night.
Soft the drowsy hours are creeping,
hill and vale in slumber steeping;
I, my loved one, watch am keeping
all through the night.

The Lord’s my shepherd, I’ll not want.
He makes me down to lie
in pastures green, he leadeth me
the quiet waters by.

Goodness and mercy all my life
shall surely follow me,
and in God’s house forevermore
my dwelling place shall be.

God is here, I’ll not be lonely
all through the night.
Guarding, guiding, loving only,
all through the night.
Night’s dark shades will soon be over,
still His watchful care shall hover;
God is with me, watching, keeping
all through the night.

Choral

Faith, Hope, and Love

These very significant words which conclude the famous “Love Chapter” (I Corinthians 13:13) are not easily conveyed. I wrote Faith, Hope, and Love to provide a simple understanding that,

Faith is believing with God all is possible.
Hope is just trusting His promises are true.
And love is the greatest, Love is the greatest!
God’s love lasts forever; He loves me and you.

A simple melodic line contrasts with the rich, soul-stirring cello’s arching melody, supported by the piano’s strong arpeggiation. The warmth of cellist Ji Youn’s playing was simply perfect!

Months after singing this in worship, one child from the choir told me a story. He and his mother had been visiting a friend who was having a hard time. While riding in the car with her, they spontaneously began to sing these words in an effort to bring her comfort. What a gift of faith, hope, and love.

Vocal Solo

Along With My Love I’ll Go

While collecting traditional Celtic tunes for an album of flute duets with piano, I described the experience as wandering into a candy store of endless delights– my task being to enrobe each select sweet center in creative chocolate! And when I discovered this winsome Irish melody, it became the title song of the CD Along With My Love I’ll Go . I added words to the melody for tenor Ross Hauck when he recorded the album Where We Long to Be . They reflect my long love of all things nautical, the romance of the sea. The accompanying video features Ross with flutist Maya Lewis.

Blow ye winds, westerlies, come hasten;
fill the sails, drive us through the sea…
to a land far away and olden,
to the place where we long to be.

Rolling waves may thunder ’round us,
fears relentless pound us,
yet we shall see, come the night,
countless stars in heaven
guiding on over the sea.

Choral

Counting Song

As an inveterate counter of stairs, hours, and virtually any sort of object, I’m transported by the idea of the impossibility of quantifying the seemingly infinite elements of God’s creation. No matter how advanced a young person’s conceptions of arithmetic or mathematics, the ultimate largeness of the Creator calls us all to wonder!

How many leaves cling to the trees?
How many trees stand on the hill?
How many hills roll on and on?
Counting them all, I’m counting still…

How many raindrops fall from the clouds?
How many clouds fill up the sky, where
How many stars shine on and on?
Counting them all, I’d count so high…

Chorus (repeats)
But our God is bigger than the highest number,
He has counted ev’ry cloud and tree;
He knows ev’rything, for He has made it.
He cares for ev’rything, including me…

How many feathers cover the wings of
How many birds that fly and bring
How many songs to our Heavenly King?
Maker of all, His praise we sing!

Inspired by my association with Seattle Children’s Chorus, this SA arrangement was first performed during a Thanksgiving Day Service at Bellevue Presbyterian by their youth choir, Bel Canto, with a flute part beautifully interpreted by Maya Lewis.