This Month's Featured Posts

Choral

Faith, Hope, and Love

These very significant words which conclude the famous “Love Chapter” (I Corinthians 13:13) are not easily conveyed. I wrote Faith, Hope, and Love to provide a simple understanding that,

Faith is believing with God all is possible.
Hope is just trusting His promises are true.
And love is the greatest, Love is the greatest!
God’s love lasts forever; He loves me and you.

A simple melodic line contrasts with the rich, soul-stirring cello’s arching melody, supported by the piano’s strong arpeggiation. The warmth of cellist Ji Youn’s playing was simply perfect!

Months after singing this in worship, one child from the choir told me a story. He and his mother had been visiting a friend who was having a hard time. While riding in the car with her, they spontaneously began to sing these words in an effort to bring her comfort. What a gift of faith, hope, and love.

Choral

I Surrender All

When references to the lyrics of this song became a recurrent theme in Dr. Scott Dudley’s sermon series at Bellevue Presbyterian, I composed this fervent gospel version for the congregation to sing with the choir. At times drums, trombones, and brass band have joined the piano accompaniment, as it has been rendered by the choir, ensembles, and soloists in many different contexts.

The inspiration for Judson Van DeVenter’s text was quite personal:
“For some time, I had struggled between developing my talents in the field of art and going into full-time evangelistic work. At last the pivotal hour of my life came, and I surrendered all. A new day was ushered into my life. I became an evangelist and discovered down deep in my soul a talent hitherto unknown to me. God had hidden a song in my heart, and touching a tender chord, he caused me to sing.” His colleague in ministry, Winfield S. Weeden, set his powerful poem to music, and it became the most enduringly popular of all the hymns they composed during their fruitful ministry together.

All to Jesus I surrender,
All to him I freely give;
I will ever love and trust him,
In his presence daily live.

Refrain:
I surrender all, I surrender all,
All to thee, my blessed Savior,
I surrender all.

All to Jesus I surrender,
Humbly at his feet I bow,
Worldly pleasures all forsaken,
Take me, Jesus, take me now.

All to Jesus I surrender,
Lord, I give myself to thee,
Fill me with thy love and power,
Let thy blessing fall on me!

Choral

All Things Bright and Beautiful

Over the generations this utterly charming children’s hymn, penned by Cecil Frances Alexander in 1848, has brought delight to those who glory in the wonder of God’s creation. I have a special affection for it sung to “Royal Oak,” a 17th century English melody, since I first encountered it in a dear little picture book that I read/sang with my very young daughter. The simple poetic enumerations of elements of the natural world easily engage young singers. With the expressive enthusiasm of an energetic director, they master these mouthfuls of text in short order. And the drama of a delayed last word brings joy to all!

All things bright and beautiful,
All creatures great and small,
All things wise and wonderful,
The Lord God made them all.

Each little flow’r that o-pens,
Each little bird that sings,
He made their glowing colors,
He made their tiny wings.

All things bright and beautiful…

The cold wind in the winter,
The pleasant summer sun,
The ripe fruits in the garden,
He made them ev’ry one.

All things bright and beautiful…

He gave us eyes to see them,
And lips that we might tell
How great is God Almighty,
Who has made all things well!

All things bright and beautiful…

Vocal Solo

I’d Rather Have Jesus

When asked to develop music for an endowment dinner, this old song immediately came to mind. It represents the perfected priorities of a well-lived life (here arranged for mezzo-soprano Cynthia Dean).

Long before its composer, George Beverly Shea, became the world-famous baritone soloist for the evangelistic Billy Graham Crusade, he wrote “I’d Rather Have Jesus,” in response to his mother’s influence. She had left Rhea F. Miller’s 1922 poem on their piano, hoping that her son would read it, and he did. The words moved George, and spoke to him of his own aims and ambitions. He sat down at the piano and began singing the poem to a tune that seemed to fit the words, and the next day sang it in church. Though George had been offered a popular music career with NBC, a few years later he chose to become associated with Billy Graham and sang this song to millions of people around the world.

 

I’d rather have Jesus than silver or gold;

I’d rather be His than have riches untold;

I’d rather have Jesus than houses or lands.

I’d rather be led by His nail pierced hand…

 

Than to be the king of a vast domain

or be held in sin’s dread sway.

I’d rather have Jesus than anything

this world affords today.

 

I’d rather have Jesus than men’s applause;

I’d rather be faithful to His dear cause;

I’d rather have Jesus than worldwide fame,

I’d rather be true to His holy name.

 

He is fairer than lilies of rarest bloom;

He is sweeter than honey from out the comb;

He is all that my hungering spirit needs.

I would rather have Jesus and let Him lead…

 

Than to be the king of a vast domain

or be held in sin’s dread sway.

I’d rather have Jesus than anything

this world affords today.

Choral

Waiting Water

“Waiting water; still– ’til the stone falls so freely, sending circles into eternity…”

In Waiting Water, the endlessly expanding circles set in motion by the action of a single stone represent the enduring significance of each word and deed done in Jesus’ name. Through the image of ripples affecting the breathless face of the water, we see that God’s creation always awaits the activity of his Spirit. Our faithful actions participate in the movement of the waters of creation, “sending circles into eternity…”

Waiting Water begins with Jesus’ quotation of Isaiah’s ancient messianic prophecy, a prophecy that Jesus fulfilled in his ministry to the poor, the hungry, the sick, the blind, and the oppressed. He also gave special attention to little children, ones who “belong” to the Kingdom of Heaven. This Kingdom, eternal life prepared “from the foundation of the world,” awaits all who faithfully follow in Jesus’ steps. The piece concludes with an image of God’s creative desire from Genesis 1:2 – “The Spirit of God moved upon the face of the water.”

In contemporary film, moments of great intensity are very often accompanied by choral music. “Waiting Water” provides a “sound track” for the expectant excitement of these intensely significant words.

[Luke 4; Isaiah 61]
The Spirit of the Lord is upon me…
to bring good news to the poor.
He has sent me to proclaim
release to the captives,
and recov’ry of sight to the blind,
to let the oppressed go free,
to proclaim the year of the Lord’s favor!

~~~
Waiting water, still—
’til the stone falls so freely,
sending circles into eternity…

~~~
[Matthew 19]
Let the little children come to me,
and do not hinder them;
for to such belongs the Kingdom of Heaven.

~~~
Waiting water, still—
’til the stone falls so freely,
sending circles into eternity…

~~~
[Matthew 25]
I was hungry and you gave me food;
thirsty and you gave me drink;
I was a stranger and you welcomed me,
I was naked and you clothed me,
sick and you cared for me.
I was in prison and you visited me.

~~~
Waiting water, still—
’til the stone falls so freely,
sending circles into eternity…

~~~
[Matthew 25]
Just as you did it for one
of the least of my family,
you did it unto me.
Come, you that are blessed by my father.
Inherit the Kingdom prepared for you
from the foundation of the world.

~~~
Waiting water, still—
’til the stone falls so freely,
sending circles into eternity…

~~~
[Genesis 1]
The Spirit of the Lord
moved upon the face of the water…